Cataloging
Saturday, December 29th, 2007I must have been a librarian in another life. I really enjoy organizing my MP3 collection. (Yes, I’m a nerd.) The difficulty I encounter is the category of “Genre.” What to put? What to put??
How do you categorize The Beatles? Technically they fall under the category of “Beat Music” but that seems inadequately vague, especially considering that I have several hundred Beatles songs that boggle the mind with their diversity of style. Earlier on music was easier to categorize. I can easily file Mozart under “Classical,” Beethoven under “Romantic” and Bach under “Baroque.” Elvis is even easy to file under “Rock and Roll.” Otis Redding, Wilson Pickett, and Aretha Franklin can be defined by nothing but “Soul.”
But what makes something Pop? How many subcategories of Rock should I allow? Technically Jimi Hendrix is Acid Rock, but that’s not really helpful in making a playlist since I don’t have too much of that. Where does Fleetwood Mac go? Pop? Folk Rock? Classic Rock? I keep renaming my entire collection of Creedence Clearwater Revival and The Eagles. They lack the full blown traits of both Folk Rock and Classic Rock. I’ve settled on “Southern Rock” and lumped Crosby, Stills, and Nash in with them, as well as Bob Seger and Steve Miller. But I’m lost when it comes to the Rolling Stones. They can play the road house blues better than any good ol’ boy . . . but they ain’t Southern.
The 80’s aren’t so bad, as I only have two categories: Europop and Hair Bands. Separating Eurythmics and Alphaville from Bon Jovi and Metallica is easy. Grunge is fairly easy to pick out, as is Celtic Punk. But what am I supposed to do with all this modern teenage music? I like Jet, Muse, The Killers, and will even admit to being guilty of enjoying a bit of My Chemical Romance now and again. But I can’t come up with a label. “Emo?” Too lame. “Retro?” Too nostalgic. “Electronica?” Gives the wrong idea.
Am I thinking too much in observing that the difficulty in categorizing modern music is evidence of the ever increasing fragmentation of pop culture? It’s both a good and bad thing, allowing for individuality but also becoming so eclectic that it turns into a muddle. Throwing the rules out can create opportunity. But it also erases any framework for cohesive style . . .