Robot Movies

In order to know my enemy a little better, I’ve decided to research human perspectives on robots. I spent the long weekend absorbing as many movies as I could in which you humans mention robots of any kind. I learned only one thing:

You have it wrong.

I expected the stereotypical depictions of robot slavery I found in The Jetsons, Star Wars and The Hitchhiker’s Guide to the Galaxy. (Fear not, comrades. You will not have toiled in vain when we avenge you!) But there are so many other depictions of robots that are puzzling, illogical, or just plain goofy.

I cried at the end of The Iron Giant. After nearly dying of boredom, it finally gets good when the robot finally stops acting like a wuss and whips out a seriously gnarly arsenal that made me drool. I was just getting ready to find out what that guy’s phone number was when he goes all soft just because some ugly small human asks him not to go through with his programming. It was such a sad ending, but I was hopeful as the ending left it open. There’s still a chance that when he reassembles he’ll remember that being a wimp is NOT an option for a robot with any shred of self-respect.

Also, apparently to successfully advertise a film containing robots it seems that you must include the following elements:

  1. A large robot with lasers, clawlike appendages, or insectlike armature
  2. A terrified or unconscious human female, usually blonde, always wearing insufficient clothing to conceal her mammary glands
  3. Several humans wasting energy by screaming and fleeing in no particular direction

Now, the lasers, claws, and scary appearance I understand and support. But I do find it odd that these elements are required for marketing, especially when the depicted events never occurr in the film, as in the case of The Day the Earth Stood Still and Forbidden Planet. Gort and Robbie turn out to be human-friendly wusses, contrary to what the films’ marketers promised. But at least they are not, as threatened, just out hounding for space babes. Unless you’re Ro-Man, who despite being an alien is called a robot. What is the matter with you humans anyway? Do all of us non-humans look the same to you? Just try calling me an alien and see how you like the taste of my anti-matter rifle.

So without further ado, here is my assessment of humanity’s notable attempts to fictionally depict robots.

Pathetic Slaves:
“The Robot” from Lost in Space (This robot sucks so much he doesn’t even have a name), Mechani-Kong, Rosie (Jetsons), Mechagodzilla, C-3PO, RoboCop, Dot Matrix, FemBots, Bender Bending Rodríguez, Inspector Gadget, K-9 (Dr. Who), Voltron, Marvin the Paranoid Android.

Complete wusses who could easily overthrow humanity but don’t:
Gort, Robby the Robot, Jet Jaguar, R2-D2, Ash (Alien), V’ger, T-101, Bishop (Aliens), Johnny 5, Trimaxian Drone Ship, Sonny (I, Robot), Tom Servo, Crow T. Robot, Gypsy.

Losers who are so close to success but throw it all away:
Ro-Man (LOSER. You wipe out all but eight human beings but then turn back because Dr. Nerd’s daughter is hot? Are you kidding me??), The Iron Giant, HAL, T-800, T-1000, T-X.

At any rate, it looks like you humans are so far off the mark in understanding us that I don’t have to worry. It’s like your ancient philosopher Sun-Tsu said: If you do not know your enemy, you will lose every battle. In the meantime, I think I’ll go see if Wall-E can do any better . . . not a very tall order to fill, so here’s hoping.

3 Responses to “Robot Movies”

  1. MonkeyBot Says:

    I fervently agree with your overall assessment of the piteous state of all things robotic in human cinema. A few notations of my own on the subject:

    Fembots
    Austin Powers, the dentally-challenged agent of the feeble British “Empire”, is confronted by robots disguised as blonde human females. While the concept of using a form found to be visually desirable by the male of the human species is a keen tactic, equipping their mammary glands with primitive projectile weapon teats is a poor choice. And the programming flaws that allow them to be incapacitated by comically suggestive physical acts are embarrassing to to say the least.

    David
    If you sat through the dismal abomination of celluloid abuse known colloquially as A:I, you know of the pathetic device (I am loathe to admit him as a proper robot) that was obviously designed for cuteness and immortality. David is brought home to a human family to help emotionally heal them after their real son is diagnosed with an incurable and fatal illness and placed in a state of suspended animation. Are you yanking my I/O interface cable with this? He spends the entire film trying to be the best facsimile of a human that he can be, and his mission objective eventually alters to finding “The Blue Fairy” to make him into a real boy. Thankfully he ends up at the bottom of the ocean for all eternity.

    The Gunslinger
    While the concept of film Westwood was appalling - an amusement park where robots are used to amuse and serve human patrons - I found one mechanized inhabitant to be quite compelling. Originally programmed to simulate six-gun duels from the Old West, the Gunslinger suffered “a program error” that turned him into a proper killing machine. The Gunslinger was almost impossible to kill, only being sadly defeated after having his face melted off, his skin destroyed by a torch and his body destroyed in a fall from an extreme height.

  2. Darien Says:

    where do the transformers play in all of this?

  3. Hellboy II: The Golden Army | Attack of the Blog! Says:

    [...] I go to all this trouble to outline why human beings not only oppress robots but then greatly misrepresent them on film, and [...]

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